The representation of the past in two contemporary British novels : John Fowles’s «The French lieutenant’s woman» and A.S. Byatt’s «Possession : a romance»
Not just a vote but a voice : stylistic and political representation of female subjectivity in Elizabeth Robins’ «Votes for women!», Cicely Hamilton’s «Diana of Dobson» and Elizabeth Baker’s «Chains»
The representation of black womanhood in Charles Waddell Chesnutt’s «The house behind the cedars», Jean Toomer’s «Cane» and Zora Neale Hurston’s «Their eyes were watching God»